Unlimited colour
No per-colour charge and no palette limit — a fifty-colour design costs the same as a two-colour one.
1,000,000+ Patches Delivered
Mockup in 12-24 Hours
Low 5-Piece Minimum
Money-Back Guarantee
Dye pushed into the fabric under heat, so there is no colour count to design around and no thread chart to compromise with. Gradients, photographs and fine illustration reproduce exactly as supplied.
Sublimated
Sublimation is not printing on top of fabric — it is printing into it. Under heat and pressure the dye turns to gas and bonds with the polyester fibres themselves. Because there is no ink layer sitting on the surface, there is nothing to crack, peel or wash away.
That makes it the only construction we offer with genuinely unlimited colour. Photographs, airbrushed gradients, watercolour illustration and complex multi-colour artwork all come out as drawn, at a unit price that does not climb with the colour count.
No per-colour charge and no palette limit — a fifty-colour design costs the same as a two-colour one.
Reproduces photographs, gradients and fine illustration that no stitched construction can approach.
The dye is bonded into the fibre rather than layered on top, so it survives washing that would destroy a screen print.
Laser-cut to any silhouette, with an optional embroidered border if you want a stitched edge on a printed face.
A sketch on paper, a logo in low resolution, or a description in a WhatsApp message is enough. Our design team redraws it to production quality at no charge.
You get a to-scale visual with thread colours, dimensions and backing called out. Ask for changes as many times as you need — revisions are free until you are happy.
Nothing goes to the floor without your sign-off. On large or repeat orders we can send a physical sample first so you can feel the weight and edge before committing.
Every batch is checked for colour match, stitch density, edge finish and backing adhesion. Then it ships with tracking, anywhere in the USA or overseas.
Not sure this is the right construction for your job? Tell us the garment and the artwork and we will say so plainly — including when a different patch type would serve you better.
Ask us which to useThe backing decides whether the patch is permanent, removable, or something you press on at home in ten seconds.
Applied with heat and pressure in a commercial press. The strongest bond and the flattest finish — best for bulk uniform runs.
Stitched directly onto the fabric. Permanent, traditional, and the only sensible choice for leather, heavy denim and thick outerwear.
Hook-and-loop backing so the patch comes off and goes back on. Standard for tactical kit, name tapes and anything that swaps between garments.
Heat-activated adhesive you can apply with a household iron. Fast and clean on cotton and poly-cotton; add a few stitches if it will see heavy wear.
The edge is the first thing that frays on a cheap patch. Three ways to finish it properly.
The traditional raised, rounded edge. Thick, protective, ideal for simple shapes — circles, shields, rectangles.
Clean modern lines that can follow any outline, so intricate and irregular shapes stay sharp.
A smooth, sealed edge with a subtle sheen and virtually no bulk. The most precise option for complex silhouettes.
Every construction behaves differently on cloth. These are the 6 alternatives we make in the same workshop.
Embroidery Patches
Raised, tactile · Good — 3 pt text and up
Chenille Patches
Plush pile · Bold shapes & letters
PVC Patches
2D or 3D moulded · Very high
Woven Patches
Flat, low profile · Highest of the stitched types
Leather Patches
Debossed / embossed · Medium — bold marks
Sequin Patches
Reflective, moving · Bold shapes
Send the artwork or just the idea. You get a to-scale mockup and a firm, itemised price back within one working day.
A free mockup, unlimited revisions and no minimum order — on sublimated patches or any of the other constructions we make.